PHD_Research

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// 2026/01/07 - 00:38 / 2a02:8428:7521:801:70a0:75ae:f53a:9850
!!HAL science ouverte - Idhal : [peter-sinclair 079205852|https://cv.hal.science/peter-sinclair]

!!Publications:

• Satre, Barbara et Sinclair Peter (dir), Cahiers mésozoaires n° 01 (Les presses du réel) Synergies – « La recherche artistique participative » Janvier 2024, ISBN : 979-10-93563-29-9

• Sinclair Peter, Allégories de l’audio en réseau, Actes des Journées d’Informatique Musicale (JIM) 24-26 mai - MSH Paris Nord 2023. https://jim2023.sciencesconf.org/data/pages/ACTES_JIM2023_COMPLETS.pdf

• C. Esclapez, Elena Biserna, Jean Cristofol, Peter Sinclair. Le séminaire PEEP [Pratiques de l'écoute / Écoute des pratiques] ou l'écoute comme bien commun, Rencontres nationales sur les recherches en musique 15 et 16 octobre 2020.

• Chapman Owen et Sinclair Peter, « On Listening as Analysis: The Selfie Orchestra Project », Canadian Theatre Review 184 (1 octobre 2020): 27‑32, https://doi.org/10.3138/ctr.184.005.

• Sinclair Peter, « Exemples artistiques de détournements de « mobiles » dans le programme Audio Mobilité de Locus Sonus » dans Guelton, Bernard. Médias situés et mobilités partagées, 2020.

• Cristofol Jean et Sinclair Peter. « Éléments pour une approche de la participation en recherche- création », dans Recherche et Culture n° 140 Recherche culturelle et sciences participatives, hiver 2019-20.

• Sinclair Peter. « Locustream, un dispositif d’écoute ouvert », dans Recherche et Culture n° 140 Recherche culturelle et sciences participatives, hiver 2019-20.

• Sinclair, Peter. « Nouveaux auditoriums et pratiques d'écoute »UNIVERSITE D’AIX-MARSEILLE, ECOLE DOCTORALE : Langues, Lettres et Arts ED-354, UFR : Faculté des Arts, Lettres, Langues et Sciences Humaines Unité de Recherche: FRE 2006 CNRS PRISM (Perception Represéntations Image Son Musique), 2018. tel-02059648v1 HDR.

• Sinclair Peter. « Locus Stream Open Microphone Project » in The International Computer Music Conference (ICMC) 2018, Daegu, South Korea. August 5-10 2018.

• Sinclair Peter. « Locus Stream Open Microphone Project » : MUSIQUE & HACKING INSTRUMENTS, COMMUNAUTÉS, ÉTHIQUES, IRCAM, Quai Branly, Paris, 8-9 novembre 2017.

• Sinclair Peter (et al.) « New Atlantis: Audio Experimentation in a Shared Online World » in : CMMR. Bridging People and Sound: 12th International Symposium, CMMR 2016, São Paulo, Brazil, July 5-8, 2016: Revised Selected Papers. Édité par Mitsuko Aramaki, Richard Kronland-Martinet, et Sølvi Ystad. Lecture Notes in Computer Science 10525. Cham: Springer, 2017.

• Sinclair, Peter et Elena Biserna (dir.), « Audio Mobility ». Wi: Journal of Mobile Media, 9, 2 (2015) http://wi.mobilities.ca/.

• Sinclair, Peter. « Inside Zeno’s Arrow : Mobile Capture and Sonification ». Wi: Journal of Mobile Media, Audio Mobility 9, 2 (2015). http://wi.mobilities.ca/peter-sinclair-inside-zenos-arrow-mobile-captation-and-sonification/

• Sinclair, Peter. «Sonification And Art.» Captation, JIM2014: Transformation Sonification. Bourges, 2014. 157-165.

• Sinclair, Peter. Using Real-Time Data Flux in Art – The mediation of a Situation as it Unfolds, RoadMusic – An Experimental Case Study. Doctoral Thesis.

• Gresham-Lancaster, Scot, and Peter Sinclair. "Sonification and Acoustic Environments." Leonardo Music Journal 22 (2012): 67-71.

• Sinclair, Peter; Dr Hubner, Yvonne and Dr Tanaka, Atau "RoadMusic: Music For Your Ride From Your Ride" Special Issue Presence: Teleoperators and Virtual Environments: Subliminal/unaware cues and perception of presence in virtual, tele-presence, and automotive environments. MIT Press (to be published). TBP.

• Sinclair, Peter. "L'art de la sonification en temps réel." Obs/in. l'obs/in, 2011. 121-131.

• Sinclair, Peter. "Living With Alarms." AI & Society (Springer) 27, no. 2 (05 2012).

• Sinclair, Peter. "RoadMusic." AI & Society (Springer) 27, no. 2 (05 2012).

• Sinclair, Peter, ed. "Sonification - What Where How Why." AI & Society (Springer) 27, no. 2 (05 2012).

• Sinclair, Peter. "Research." petersinclair.org. 06 2011. http://petersinclair.org (accessed April 15, 2013)

• Joy, Jérôme & Sinclair, Peter. 2009. Networked Music & Soundart Timeline (NMSAT): A Panoramic View of Practices and Techniques Related to Sound Transmission and Distance
Listening. In Contemporary Music Review, Vol. 28, Issue 4 & 5, (pp. 351-361), Taylor & Francis Group (publishers). Abingdon Oxfordshire: Routledge.

• Sinclair, Peter. 2009. http://nujus.net. In “WJ-Spots #1 – 15 ans de création artistique sur Internet”, Édité par Anne Roquigny, (pp. 90-91). Paris : MCD, Musiques & Cultures Digitales, hors-série 103, Septembre 2009.

• Joy, Jérôme & Sinclair, Peter. 2009. Espaces Sonores en Réseau - pratiques de la recherche en art - Locus Sonus. In Recherche & Création — Art, Technologie, Pédagogie, Innovation, sous la direction de Samuel Bianchini, (pp. 122-139). Paris: Éditions Burozoïque / Les Éditions du Parc, École nationale supérieure d’art de Nancy.

• Joy, Jérôme & Sinclair Peter. 2008. Les Espaces Sonores en Réseau (Networked Sonic Spaces) — Locus Sonus. actes de la conférence internationale ICMC 08 (panel : Networking Performance), (pp. 553-555), International Computer Music Association, SARC Sonic Art Research Center, Queen’s University Belfast. Tampere: GlobalWare Corporation.

• Joy, Jérôme & Sinclair Peter. 2008. Actes des Assises Nationales des Ecoles Supérieures d'Art - Locus Sonus, un laboratoire de recherche en art audio(pp170) ISBN : 2-9083373-69- 6

• Sinclair, Peter. 2007. Locus Sonus. In “Autumn Leaves – Sound and the Environment in Artistic Practice”, Édité par Angus Carlyle, CRiSAP, London College of Communication, Univ. of the Arts London. Paris / London : Éd. Double Entendre.


!!Talks and Conferences

• "Other kinds of sound environment" – Mobile Sonification and Remote Listening, Mobile Media Lab – Concordia University in Montreal September 8, 2014.

• Colloque "GeCSO" Aix Marseille Université 6 Juin 2014 https://www.youtube.com/watch?v=V40ogXpi4fQ&list=PL_jyYPo3LHrWQwnjDxQm3wI86IGdJMGLW&index=8

• "New Atlantis" locus sonus - Symposium internet auditoriums - Nantes, March 2012.

• Festival Revox "RoadMusic" GMEM, Marseille February 2012.

• Automotive User Interfaces and Interactive Vehicular Applications "Subliminal Perception in Vehicules" Salzburg Nov 2011.

• Obs IN: Encodage, Decodage, Transcodage "Transcodage - L'Art de La Sonification" Ecole Nationale Supérieure de la Photographie d'Arles, Oct 2011.

• Midi Rencontre du Labo NT2 - "RoadMusic: Une Sonification Dynamique en Art" UQAM, Montreal.

• Colloque Avatar "Échographies des œuvres en art audio et électronique" Quebec, February 2011.

• Locus Sonus SYMPOSIUM 6 — SONIFICATION What Where how why(ESA Aix / LAMES CNRS MMSH), March 2010.

• PNEK à Bergen, 'Invited artist' Norvége.October 2009.

• ICMC Sonic Arts Research Centre "Streaming Audio" (SARC) Belfast Août 2008.

• Version Beta, "Locus Sonus in Second Life" Centre pour l'image contemporaine St Gervais, Geneva, Switzerland Dec 2008.

• Tuned City, "Locustream project" Berlin, 1-4 july 2008.

• Festival des Arts Lyriques "Presentation of work" – Master Class Aix-En-Provence, 28-30 juin 2007.

• Festival Second Nature, 'Presentation of work/interview with Dominique Moulin', Aix en Provence, France sept 2007.


!!Doctoral Thesis
[Click to download written thesis|research/phd/Sinclair_phd_Using_real_time_data_flux_in_art.pdf]
[research/phd/phd-cover.jpg|research/phd/Sinclair_phd_Using_real_time_data_flux_in_art.pdf]

[Click to download thesis DVD (Audio and Video files 724M)|research/phd/RoadMusic_Media.zip]


!!Sonification Documentation (PHD research)
During the symposium organised by Locusonus "Sonification (What Where How Why)" we conducted the following interviews with the participants having an artistic practice incorporating sonification.

http//locusonus.org/w/index.php?page=Symposium+sonification

The same set of questions was used for all the interviews (although not all of the questions where asked of each interviewee)& I have split the interviews accordingly (as far as possible). You can navigate the movies in three different ways: 1/ By clicking the link following each question you will hear all the responses to that question (the order of appearance is "random"). 2/ You can see each artists response to all the questions in chronological order by clicking their image in the list 3/ By following the link below you will go to a page with links to all the files the first number after the name gives the chronological order in that persons interview the second the question n° (with this option you will need to copy and paste the url into quicktime player or equivalent. [All Questions|http://nujus.net/~petesinc/wiki/research/interviews_sonification/] →



[Question1|research/interviews_sonification/Question1.html] →
Can you introduce yourself & describe briefly how you use sonification within your artwork?
[Question2|research/interviews_sonification/Question2.html] →
How would you qualify the role or position of data within your work & how do you consider your position as an artist in relation to this role?
[Question3|research/interviews_sonification/Question3.html] →
Do you consider that the use of data operates a shift in the artistic paradigm?
[Question4|research/interviews_sonification/Question4.html] →
Is the fact that the data is sonified (as opposed to visualized or mediated in some other way) significant, essential... ?
[Question5|research/interviews_sonification/Question5.html] →
Is your use of data "realtime" if so do you consider this as fundamental to your artistic practice?
[Question6|research/interviews_sonification/Question6.html] →
Do you consider that data sonification is interpretation?
[Question7|research/interviews_sonification/Question7.html] →
Is there a philosophical, spiritual or political aspect related to your use of sonification?
[Question8|research/interviews_sonification/Question8.html] →
Do you consider that sonification is composition (musical composition)?
[Question9|research/interviews_sonification/Question9.html] →
Have you noticed any particularities in the way that sonification is perceived by an audience?
[Question10|research/interviews_sonification/Question10.html] →
Do you consider that what you do with sonification is useful ? Can it be related to a problem solving
process?
[Question11|research/interviews_sonification/Question11.html] →
Do you consider that your work is in a continuum relative to art history or esthetics?


!!Stuart Jones
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Stuart-Jones-thum.jpg|research/interviews_sonification/Stuart-Jones-1-1.html] →

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!!Valentina Vuksik
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Valentina-Vuksik-thum.jpg|research/interviews_sonification/Valentina-Vuksik-1-1.html] →

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!!Peter Gena
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Peter-Gena-thum.jpg|research/interviews_sonification/Peter-Gena-1-1.html] →

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!!Scott Fitzgerald
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Scott-Fitzgerald-thum.jpg|research/interviews_sonification/Scott-Fitzgerald-1.html] →

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!!Florian Grond
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Florian-Grond-thum.jpg|research/interviews_sonification/Florian-Grond-1-1.html] →

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!!Atau Tanaka
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Atau-Tanaka-thum.jpg|research/interviews_sonification/Atau-Tanaka-1.html] →

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!!Victoria Vesna
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Victoria-Vesna-thum.jpg|research/interviews_sonification/Victoria-Vesna-1-1.html] →
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!!Scot Gresham-Lancaster
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Scot-Gresham-Lancaster-thum.jpg|research/interviews_sonification/Scot-Gresham-Lancaster-1-1.html] →

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!!Jens Brand
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Jens-Brand-thum.jpg|research/interviews_sonification/Jens-Brand-1-1.html] →

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!!John Eacott
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/John-Eacott-thum.jpg|research/interviews_sonification/John-Eacott-1-1.html] →
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!!Lorella Abenavoli
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Lorella-Abenavoli-thum.jpg|research/interviews_sonification/Lorella-Abenavoli-1-1.html] →

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!!Marty Quinn
[http://nujus.net/~petesinc/wiki/research/interviews_sonification/Marty-Quinn-thum.jpg|research/interviews_sonification/Marty-quinn-1-1.html] →